Although the theme of the 2022 calendar is the Year of the Tiger, as per the Chinese zodiac, I broadened it a bit to include other wild felines, and a few domestic cats, too, specifically my own. Since I went from doing just one calendar illustration a few years ago to doing 12 of them now, I have taken some liberties with the zodiac animal theme to give me a broader range of models.
I thought I would feature a black cat for October, but I don't have a black cat. However, shortly after our tortoiseshell, Molly, joined our household in 2013, I took a photo of her posing like the cat in those arty "Le Chat Noir" posters, so I decided to use that as my reference and paint her all black. That's the sort of thing one has an artistic license for, after all!
I like to use watercolors, a medium that poses its own unique challenges but appeals to me for a variety of reasons, including that I like working on paper rather than canvas or other surfaces, and because I find the process of learning how to address those very challenges enjoyable.
I decided I needed to work wet-on-wet, that is, painting on wet paper, to evoke the furriness of my subject. There is a trick to it that involves learning to spot when the paper has partially dried just the right amount for the desired effect. If it's too wet, the paint will bleed too much. This is a learning curve for me, as you can see!
One of the beauties of doing paintings to be scanned and placed into a document is that I can tinker with them in Photoshop to fix or change things that aren't working for me. In fact, when I am feeling intimidated about painting the next picture, I tell myself, "It's not Art, it's illustration," and then I relax and get it done. The point is not to disparage my own work, but to remind myself that the raw painting doesn't have to be perfect.